The RPG Duelling League
Social Forums => General Chat => Topic started by: Grefter on December 31, 2017, 11:44:12 PM
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Los Campesinos! - My Year in Lists.
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Oddisee - Like Really
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Teagan and Sara - U-Turn.
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Miguel - Sky Walker
https://www.youtube.com/watch?v=76O3w4pt0CA
he's done some good re-branding yup
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Devin Townsend Project - Heaven Send
This album always spirals me into nostalgia. Good writing music.
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Khalid - Nights
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First time TDC was lit up! Pretty cool.
https://www.youtube.com/watch?v=N1w-hDiJ4dM
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So I am going to do this every now and then as a thing I am trying out. Just going to pick up an album and put down some thoughts as I go through the tracks or as a whole, just to think about music and pick up some new music again.
Happy Hollows - Concordia (https://thehappyhollows.bandcamp.com/album/concordia)
This band I have shopped around a little bit a few years ago when they just had their first album hit and Samsung used the hook from a killer track (High Wire off Spells (https://thehappyhollows.bandcamp.com/track/high-wire)). I am pretty much only going to post about tracks that spike up my thoughts at this point. Might turn into a track by track breakdown some other time.
Meteors - This track sounds so much like they want to be Blondie. Blondie is a very good thing to want to be. Also reminds me what I really saw in them in the first place that made them stand out above some of the sea of similar sounds at the time. Like, the first 3 tracks are good, but THIS is the kind of thing that drew me to them after I got over the hook on High Wire from that ad.
Feel the Moon - That Blondie is back. It is totally the dance beat and that super artificial synth that is doing it. That bass line is back strong as well. It is basic but kicks. Also the song swells up and down all over the place just layering instrumentation and more frantic playing for the highs. It isn't quite wall of sound levels of lush.
Palms - They synth tone here made me think for a moment they were going to bust out a random chip tune, but nah. It is a synthpop sort of beach track.
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Happy Holoows - Feel The Moon.
Yeah this track is the shit.
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IAMDDB - Shade
https://www.youtube.com/watch?v=wDC_XkWWxZA
LOVE Blondie now btw. I'll nab some of the tracks you're listening to once I'm stateside. Germany's brutal with music.
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Star Trek engine noises on 8-hour loop. This helps me sleep when I'm stressing out too much about America's descent into decrepitude. Seriously.
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Linked to the Bandcamp for a reason yo, can stream the whole album there for free track by track, easy worth a look.
Tove Lo - Cycles.
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Okay this is going to be a post just about the whole album rather than track by track and might be shorter than last week's even, but hey.
MASTER BOOT RECORD - C:\>CHKDSK /F (https://masterbootrecord.bandcamp.com/album/c-chkdsk-f)
The reason this one is shorter is because this is an instrumental so there is a lot less to talk about overall.
I was trying to work out what to pick up this week and was just watching the Recent Purchases scroll through Bandcamp from page, this came up and I thought it was a cool gimmick. Checking the page I realised just how deep it goes, that is some very very early 90s PC aesthetic going on. The track titles are bang on and like even the Instagram is amazing. Lyrics for everything being a description of the program is good style choice.
So the album itself, like I said is an instrumental album and it is incredibly consistent in its tone so there isn't tons to talk about. Each track sort of blurs into each other, but that is cool, that is what I want in this kind of album.
Essentially what you have here is a proximity of Sound Blaster 16 era audio and channel limitations being used to make some pretty standard metal tracks, but being able to use all the channels for music, so we aren't talking authentic chip tune stuff even from PC from era where you had more channels with a dedicated soundcard. It also uses way more bass than stuff did back then because while they were capable of it you weren't really looking at audio setups that supported it. Most people weren't using a Subwoofer at that point or anything and most headphones would be cheap shitty ones.
What this actually ends up sounding like though is sort of like early PSX ish feeling stuff that is a bit lower fidelity than you are talking. It isn't Midi but it definitely isn't full CD quality. Ultimately I think the thing I associate it most with is actually Castlevania soundtracks. They aren't as well put together tracks and there is less of an emphasis on guitar, but that heavier bass line with the drum synths also changes the general feel of the track.
Overall I give this one a thumbs up, especially in general for the DL. I think this is actually an album a bunch of you would like in that genre of "sounds like video game music but isn't". Might be a bit heavy for some, but definitely a recommend to like Alex and Zenny.
It is super cheap over on Bandcamp and you can listen to stuff for free there anyway. Highly suggest giving it a look.
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You missed the part where this is exactly the kind of shit that I want on when brainstorming game stuff.
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Grabbed MASTER BOOT RECORD on Grefrecommendation. Extreme approval.
For my own contribution, game of the year and soundtrack of the year came out in January already:
https://radicaldreamland.bandcamp.com/album/celeste-original-soundtrack
Everything. Resurrections if you want one track to sample. Or Confronting Myself. Or... anything. The B-sides are also great.
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Master Boot Record: 33MHz
Holy shit.
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Celeste OST: In the Mirror
Okay, this is pretty cool too.
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I was out late after work today so I was hoping to pick up something that I could write about quickly without too much thought but still do a bit of writing, so I did the same thing as my first one and grabbed an album from an artist I liked years ago, but only had one album.
So I grabbed This albume (https://paulgillett.bandcamp.com/album/bad-reputation-by-la-mauvaise-r-putation-album-2014) from Paul Gillett, who I picked up the album he released under Floyd Thursby and the Definite Article. For the year I picked it up (like I want to say 2011?) it was probably like just as an individual track one of the ones I spam at people in the DL when they say some specific thing, only behind The Killers - Dark of the Matinee, because I love how stripped down and basic Lover's Twist is.
Anyway, this album is a set of covers of French 1930/40s dance stuff. I didn't realise that when I picked it up or what I was first listening to it, but stumbled across it when doing some research. I would have noticed by Track 12 Coucou because THAT I recognised.
Unfortunately I am actually struggling to talk much about individual songs, which is kind of interesting. Not because they are boring or bland or anything. I actually highly recommend the album and not because I am excited to promote a local Australian artist (local to where I live now!), but because I genuinely think this is an amazing album worth $12. Just it is pretty consistent in how well it is put together, it is similar sorts of tracks and none really stand out too much, its the same 4 piece on all the songs.
What I AM excited to be suggesting is something that isn't really one of my usual genres of Metal, weird electronica or Indie rock across its entire spectrum. Instead it is something in a style I enjoy but don't actively follow and I get to hype something with an Accordion in it. They aren't quite Bagpipes, but they do get incredibly unfairly maligned and have that constant musical hum in the background that adds as much texture to a track as the rest of the notes you are TRYING to play.
But most of all, it is in French and for some reason, even though I normally talk about instrumentation or song structures or even comparisons, talk about how lyrics don't REALLY matter though and how they are a nice bonus that can really push something over the top into being an amazing track, but mostly if the lyrics suck but the singing works in the song then its just another instrument to take into account. Except apparently when you don't mumble incoherently in English (or German for the tiny bits of German I dig) I just don't engage with it properly. I see this consistently in mc's music stuff as well, I don't think I am excessively harsh or critical of K-Pop tracks, but I also don't really engage with them as much as I would like to. I think I do an okay job at taking it into account, but I know I could do better.
So, with that in mind, what can I speak to it other than just "I like it its good and the second best French thing in my week (after Fenrir)"? Well I can say what it actually does remind me of, the biggest reminder is actually Seu Jorge covers of David Bowie from the Life Aquatic. Not because it is in Portuguese (though that probably is a contributing factor), but because of A) how danceable a Bowie pop track is and B) similar vocal delivery over acoustic instruments. Its pretty good shit
The other thing it reminds me of is The Fiery Furnaces - Rehearshing My Choir. Which is a super weird album that is a series of tracks with the vocals being their grandmother telling stories over their songs. The songs aren't specifically in the same style of very French Jazz stuff of the 30s and 40s that this album is, but they definitely try to sound "era appropriate" for tracks where the stories take place in the 20s-40s.
Anyway I am out of thoughts and haven't posted about mc music (which will have to be tomorrow) so that will do for now.
So yeah highly recommend giving Bad Reputation by La Mauvaise Réputation a look. I will run into something I don't like on one of these eventualyl if I keep doing them, but hey lucky so far!
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Jimmy Eat World- Just Tonight
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Evanescence - Synthesis.
Short one because I have a bunch of words about Breath of the Wild to spill.
It has a few new tracks that are generally pretty good, but the bulk of the album is retracks and either stripped down or orchestral versions of older tracks. Generally, hey if you still like/care about Evanescence it is pretty neat and worth a look. The new versions are pretty fun and worth caring about. It is less mindblowingly good and amazing as The Cranberries - Something Else, but it was not a waste of money.
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Franz Ferdinand - Always Ascending
Always Ascending
First track on the album and it is back to a very standard feeling Franz Ferdinand sound. This isn't like their singles which break the mold somewhat like Dark of the Matinee does, but it is leaning harder into a really buzzing hard synth feel. That normally means we are getting their slightly more dance beat stuff.
Lazy Boy
Same.
Paper Cages
Pretty standard "You are limiting yourself you could be so much more" positivity sort of tracks. Some pretty fun wordplay in the lyrics though. It isn't quite Los Campesinos! levels or anything, but Franz Ferdinand are way straighter pop. This is still a cool dancable beat, but is a bit more on the drum line than the bass guitar to drive it.
Finally
There isn't much going on here. It is a fine Franz Ferdinand track, but it is literally just 5 different ways to say "It feels good to fit in" repeated.
The Academy Award
Here is your single track where it stops having a dance beat and twangy guitar. Instead you get melancholy and bittersweet lyrics over some acoustic guitar. True to Franz Ferdinand style though you have a real basic bass line that is pushed really hard in the mix.
This is probably the most fun track lyrically, working in some really weird stuff to get into lyrics. 404 - Gateway Not found, Hikikomori, Laptop predator. It has a lot of ground just for a song simultaneously about cheating and how prevalent pornography seems to be? That or it is just about a stalker/murderer like it uses the language of. Which is to say of course it is framed as an upbeat track because that's what they do.
Probably the best track on the album.
Lois Lane
Back to that kicking beat. It starts as exactly as it is on the tin talking about vague references to Lois Lane and journalism and how you could change the world. Then pivots into not liking "Him" and it making them lot like Lois any more. She makes choices that make her happy. Then it turns into a change about how at the over thirties singles night it is bleak. I don't really know what the fuck is going on, but you know I like bitter break up songs and spiteful tracks about former exes, so yeah I dig this.
Huck and Jim
Here is your big guitar track for the album. It is angry about something in politics and I can't pinpoint exactly what. You would expect it to just generally be how fucked things are in the US at the moment "We're going to america, we're gonna tell them about the NHS", but it also has a callout of champagne democrats. So it could be what you would hope but it could be anything without spending more than 2 minutes thinking about it.
Glimpse of Love
I hope this makes it off the album as a single, because that might actually get them some airplay again. Bass line is funky as fuuuuck on this track and it is a good time. The lyrics are that quotable not quite making sense that feels like it is saying something like they do so well and the lead guitar is spot on. Probably all about obsession with beauty and stuff, but I am starting to fall asleep and don't think I am capable of really being confident in a read.
Feel the Love Go
Suuuuper cut down track to start off with that builds up to a normal Franz Ferdinand track. It is the second single apparently. It is 5 minutes of "it is better to have loved and lost than to never have loved at all", whic is underselling it, but that again is also kind of what they do.
It does end up building enough to have a Saxaphone solo though, so I guess I should praise it for just how much it builds from like a 3 beat bass line.
Slow Don't Kill Me Slow
Alright I have run out of ways to describe tracks that don't have tons going on but I like anyway. Its a slow mellow track to run to the end of the album, it fits.
Something this track does that I should probably have noticed before is how much in general the album talks about visual arts. Like not just movies and cinema, but cameras and photography in general. This track specifically also references Still Life as well, so I think it is less specifically about Camera based stuff and more just capturing moments in time. Not specifically flattering posed bits but snapshots of actual bits of lived life. Glimpse of Love would be the big ticket example of that for theming.
Anyway... as a whole, it is a Franz Ferdinand album. You kind of know what you are getting into if you are into them, it doesn't shake up the formula and the formula is pretty old by now. I don't mean that to be damning at all or anything, it just is what it is. If you don't know them, then I can't say this album specifically has much to make it stand out and me recommend it, but on the other hand it also is very representative and I don't think there is a bad track on the album and even their best albums are really 2/3 stand out songs that get used as singles and then a bunch of filler stuff that feels good to listen to when you want to listen to some Franz Ferdinand. So it is just as good as any other one to start with if you wanted to try them out.Franz Ferdinand - Always Ascending
Always Ascending
First track on the album and it is back to a very standard feeling Franz Ferdinand sound. This isn't like their singles which break the mold somewhat like Dark of the Matinee does, but it is leaning harder into a really buzzing hard synth feel. That normally means we are getting their slightly more dance beat stuff.
Lazy Boy
Same.
Paper Cages
Pretty standard "You are limiting yourself you could be so much more" positivity sort of tracks. Some pretty fun wordplay in the lyrics though. It isn't quite Los Campesinos! levels or anything, but Franz Ferdinand are way straighter pop. This is still a cool dancable beat, but is a bit more on the drum line than the bass guitar to drive it.
Finally
There isn't much going on here. It is a fine Franz Ferdinand track, but it is literally just 5 different ways to say "It feels good to fit in" repeated.
The Academy Award
Here is your single track where it stops having a dance beat and twangy guitar. Instead you get melancholy and bittersweet lyrics over some acoustic guitar. True to Franz Ferdinand style though you have a real basic bass line that is pushed really hard in the mix.
This is probably the most fun track lyrically, working in some really weird stuff to get into lyrics. 404 - Gateway Not found, Hikikomori, Laptop predator. It has a lot of ground just for a song simultaneously about cheating and how prevalent pornography seems to be? That or it is just about a stalker/murderer like it uses the language of. Which is to say of course it is framed as an upbeat track because that's what they do.
Probably the best track on the album.
Lois Lane
Back to that kicking beat. It starts as exactly as it is on the tin talking about vague references to Lois Lane and journalism and how you could change the world. Then pivots into not liking "Him" and it making them lot like Lois any more. She makes choices that make her happy. Then it turns into a change about how at the over thirties singles night it is bleak. I don't really know what the fuck is going on, but you know I like bitter break up songs and spiteful tracks about former exes, so yeah I dig this.
Huck and Jim
Here is your big guitar track for the album. It is angry about something in politics and I can't pinpoint exactly what. You would expect it to just generally be how fucked things are in the US at the moment "We're going to america, we're gonna tell them about the NHS", but it also has a callout of champagne democrats. So it could be what you would hope but it could be anything without spending more than 2 minutes thinking about it.
Glimpse of Love
I hope this makes it off the album as a single, because that might actually get them some airplay again. Bass line is funky as fuuuuck on this track and it is a good time. The lyrics are that quotable not quite making sense that feels like it is saying something like they do so well and the lead guitar is spot on. Probably all about obsession with beauty and stuff, but I am starting to fall asleep and don't think I am capable of really being confident in a read.
Feel the Love Go
Suuuuper cut down track to start off with that builds up to a normal Franz Ferdinand track. It is the second single apparently. It is 5 minutes of "it is better to have loved and lost than to never have loved at all", whic is underselling it, but that again is also kind of what they do.
It does end up building enough to have a Saxaphone solo though, so I guess I should praise it for just how much it builds from like a 3 beat bass line.
Slow Don't Kill Me Slow
Alright I have run out of ways to describe tracks that don't have tons going on but I like anyway. Its a slow mellow track to run to the end of the album, it fits.
Something this track does that I should probably have noticed before is how much in general the album talks about visual arts. Like not just movies and cinema, but cameras and photography in general. This track specifically also references Still Life as well, so I think it is less specifically about Camera based stuff and more just capturing moments in time. Not specifically flattering posed bits but snapshots of actual bits of lived life. Glimpse of Love would be the big ticket example of that for theming.
Anyway... as a whole, it is a Franz Ferdinand album. You kind of know what you are getting into if you are into them, it doesn't shake up the formula and the formula is pretty old by now. I don't mean that to be damning at all or anything, it just is what it is. If you don't know them, then I can't say this album specifically has much to make it stand out and me recommend it, but on the other hand it also is very representative and I don't think there is a bad track on the album and even their best albums are really 2/3 stand out songs that get used as singles and then a bunch of filler stuff that feels good to listen to when you want to listen to some Franz Ferdinand. So it is just as good as any other one to start with if you wanted to try them out.
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Dysrider- For the End
This is a band that I would suggest any power metal fans at least check out (their whole CD Bury the Omen is on youtube- although I don't like the first real song, everything else is amazing. Best mix of female vocals and male death screaming that I've encountered, plus awesome occasional cello usage. It's become my favorite band, which is impressive considering that they only have 12 released songs and the band now longer exists).
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JANELLE MONAE YAS KWEEN
edit title: django jane
https://www.youtube.com/watch?v=mTjQq5rMlEY
this song is lighting my black feminist wiles so hard so hard
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Lord Huron - Wait by the River
https://youtu.be/NY50XnGKvRE
i love lh.
t
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i
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m u
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And here I was coming to just post about listening to something angry. Yeah that is beautifully put together. Even beneath the obvious craftsmanship on the surface there is some real care being taken in the mixing to get something that feels like a period recording without reproducing any artifacts of the time (compression on each of the instruments maybe? Leaves more room for each instrument as well.). I should probably give it a listen with headphones on at least of not better quality.
Body Count - Black hoodie.
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(Lord Huron live was probably the best chill experience I've ever had-- Rhode Island folk festival or something like that I went to)
Throwback, but:
The Internet - Special Affair
https://www.youtube.com/watch?v=CNJkas_LiCM
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Pet Shop Boys - The Boy Who Couldn't Keep His Clothes On
Also been listening to The Future Sound of London lately. Apparently, Cocteau Twins and Dead Can Dance samples mixed into harrowing electronic music are clearly my jam.
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Pain of Salvation - Full Throttle Tribe
I've definitely hit a point where I need to go back to listening to new music instead of just recycling the same ol' crap. I picked up this album last year but haven't listened to it too much yet.
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Everyone, watch this if you haven't.
https://www.youtube.com/watch?v=xFh2pytm6BU
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Nightwish: MASTER PASSION GREED
I am posting here at this time solely to document that this song is in fact titled MASTER PASSION GREED
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Their stuff from that album onwards is still LESS melodramatic than when they have Tarja, but they do get more Sierra Levels Of Prog.
The last track on the newest album has this breakdown on Genius.
Nightwish’s longest song to date, “The Greatest Show On Earth” is a 24 minute progressive conceptual song broken into five distinct movements:
I – Four Point Six
II – Life
III – The Toolmaker
IV – The Understanding
V – Sea-Worn Driftwood
The overarching theme of the song is the development of life on Earth and, hence, evolution.
The song (and the album as a whole) draws inspiration from Charles Darwin’s On the Origin of Species, the paper which founded the idea of evolutionary biology.
The song also draws heavy influences from Richard Dawkin’s 2009 book The Greatest Show on Earth: The Evidence for Evolution, with samples taken from the audiobook narrated by the author being used in this song.
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I am onboard with Rush's Natural Science Super-Extended Edition w/Power Metal Girl Vocals.
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The Magnetic Fields - '76: Hustle 76
Oh look, the Magnetic Fields released a five-disc album last year that's basically Stephin Merritt's song memoir to his 50 years old. And it's 69 Love Songs-level good. Sure, I can get behind that.
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Sarah Blasko - {Explain}
Sierra, this is probably another one to look up sometime if you want to check out Grefter Approved Female Singers. What The Sea Wants, The Sea Will Have is a good starting point
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Nick Cave and the Bad Seeds - Distant Sky
Still the best. Still the most emotionally wrecking.
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I will check it out sometime when I am not actively listening to another thing, Grefterperson. In the meantime,
Nightwish: Ghost Love Score
I've now listened to Once, Dark Passion Play, and Imaginaerum. I overall prefer the sound of the latter two, but damned if this one isn't proper final boss noise.
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Yeah that is pretty much the exact thing I was describing. I prefer Dark Passion Plays onwards, but I will always have a special place in my heart for early Nightwish.
Like pretty much because this (https://youtu.be/LU55Flooj3Y) will always be my aesthetic.
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Brigandine Grand Edition OST- Virtue of the Empire (Esgares Empire map theme)
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So Alex brought this to my attention (I think there was something in my mail), but a few pages back I posted about a cool 486 aesthetic metal artist that had an album I dug.
https://blood-music.bandcamp.com/album/direct-memory-access
New album dropped. Has lyrics. It is rad as fuck. I need to give it a few spins more to really get a taste of it, but I do like it a ton so far.
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Ayreon - My House On Mars
Revisiting this album after listening to Ayreon's 'new' album (from 2017) and going to the Nightwish concert. Floor Jansen is great in this song!
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Patti Smith: Easter
Picked this and Horses up cheap with some store credit after some trade-ins, largely on the strength of Because the Night, because it's an incredible song and I wondered why I'd never heard anything else by her on the radio. Probably that is because she's craaaazy, but it's mostly crazy in an endearing way. There's a lot of punk sensibility in the album without it ever actually being punk rock.
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Hollywood Burns: Scherzo No. 5 in Death Minor
Found via linkage from Master Boot Record. Mentioning here 50% because of title and 50% because of synthwave with theremin.
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Battle Beast - Bastard Son of Odin
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Nightwish: Yours Is An Empty Hope
Final boss theme encountered. (Weak Fantasy is also pretty good for this: "Fear is a choice you embrace, YOUR ONLY TRUUUUTH")
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Snow Patrol - Chasing Cars.
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Jimmy Eat World- Just Tonight
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Ride - Beneath
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Lord Huron - Lost in Time and Space.
Beautiful.
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Elton John: Funeral for a Friend / Love Lies Bleeding
Because I hadn't heard it in a while, and because it's still fucking incredible 22ish years after I first heard it.
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Symphony X - When All is Lost
Great, cohesive album that nevertheless took me so long to enjoy in its entirety. Good fantasy novel writing music.
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Florence and the Machine - Big God
This album is definitely the weakest of the four, but it's still decent.
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Yup yup yup.
Dead Cells OST: Castle theme
The music isn't the only argument for playing the game, but it is a good one.
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Leonard Cohen - So Long, Marienne
I was introduced to some early Cohen by one of my friends, and it is... pretty good. This song definitely evokes a nostalgia for being young and lost love. It's probably my favorite song from the album.
(Note: It was the song that my father-in-law sang most enthusiastically with when I turned the album on on our roadtrip, so he probably agrees!)
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Nier Automata: A Beautiful Song
YouTube queued up a symphonic metal version of this while I was trying to take a nap. Needless to say, I woke up.
https://www.youtube.com/watch?v=FFQkkFLUL4I
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Kelela - Bluff
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Civ 5 OST- Viva La Quince Brigada
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Leonard Cohen - Dance Me to the End of Love
<3 <3 <3
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Nightwish: Seven Days to the Wooooolves
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I was just listening to that. I just wish the book the song was inspired by wasn't such a colossal mess. >_< Freaking Dark Tower.
Suikoden 2 OST- The Chase (Luca's battle theme)
It's between this and Ryukotuski's boss theme from Harmony of Despair for favorite running song.
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Was not aware of the reference there, but now I assume Wolves of the Calla.
Rick Wakeman and Ozzy Osbourne: Buried Alive
This was my groove in 1999 when all the cool kids were getting into nu metal and pop punk. Sooooo much cheese.
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Leonard Cohen - A Thousand Kisses Deep
I've become a fangirl
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Blue Oyster Cult: The Old Gods Return
Yes, now is the time.
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Was not aware of the reference there, but now I assume Wolves of the Calla.
Ayep. Pretty obvious.
Superchick- Courage
Don't know how this popped on my pandora, but it's a fantastic song. It sounds mellow but it's a song about eating disorders.
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Death's Gambit OST: Bysurge the Lightning Lurker
One of the better pieces of boss noise. Could work just as well as an MGS boss theme. Actually, that's the fight in general--schizo cyborg lightning lizard? Yeah.
I think Death's Gambit is solidly one of those OST Better Than Game experiences.
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10th Letter - Gorilla Glue
Finally caught pace to learning about local musicians in the area. 10th Letter's a producer. Folk use "afrofuturism" to describe his sound although I'd argue it's less racially purposeful than it is symptomatic of sounds us nerdles loved from grooming in games and the animes. First heard his stuff in an art installation here in Grant Park; punctuated sounds on a ghastly backdrop accompanied a fabric-on-ground installation that followed earlier drained creek water that the grand ol' segregationists drained when black folk moved into the area. That's our present day city Zoo today. Like his stuff. Might be on to something myself... haven't found that sweet spot in sound since chillwave became coffee shop music.
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Vale- Collisions
I quit Walgreens three years ago and this song is still burned into my head.
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The Coup - The Guillotine (https://www.youtube.com/watch?v=acT_PSAZ7BQ)
Soundtrack for the year.
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Electric Six - Big Red Arthur
Big red Arthur is laughing as he bids adieu to this hideous world
Playing Tales of Berseria makes this song even better.
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I watched Kamasi Washington perform at Belly Up in Aspen last week. It was glorious.
But fuck altitude sickness.
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Jimmy Eat World- Just Tonight
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FFXIV OST: Sophia's Theme
This soundtrack still <3 <3 <3
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Castlevania Curse of Darkness: Garibaldi Temple
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Camp Cope’s whole body of work, but How to Socialize and Make Friends is getting the most play