Tropes Specific Section 1 - What are your general thoughts on tropes and cliches in writing? Always bad? Can be used for good? Don't worry about them and write whatever you want to write anyway? Something else entirely?
This question baffles me and pings my annoying terminology correction instincts. Everything in fiction can be codified as a trope! There is nothing that is not a trope. Writing something that is not a trope makes it become a new trope. Trope just means, essentially, "idea or concept in fiction." I think the question here is actually asking how concerned people should be about making use of common or "cliche" tropes as opposed to less common ones? In which case... I don't think that's something to worry about as a metric by itself. A work that is 100% the most common and obvious trope in every respect is probably not going to be very good, but that's correlative rather than causative. Also see Grefter, because I spent too long thinking of answers.
2 - Do you have a favorite Face Heel Turn? Or just one you thought was particularly effective? More than one you think worth pointing out as good is fine!
Link:
http://tvtropes.org/pmwiki/pmwiki.php/Main/FaceHeelTurnHonestly? No, not really. I feel like this is more of a failure subtrope of a Tragic Fall that is carried out too abruptly and without sufficient development. A good tragic fall leaves me able to sympathize with both sides and see why the character turned to "evil." Sudden betrayal is good for popcorn stories to inject some drama, but never going on my favorite anythings lists. Like... if you really stretch the definition, maybe there's one in The Usual Suspects, but even that doesn't reaaallly count as a Face Heel Turn as commonly used. Oh, maybe episode 12 of Madoka... and there are some in NieR that I suppose would count, ish, sort of, from a certain point of view.
3 - How about a Heel Face Turn?
Link:
http://tvtropes.org/pmwiki/pmwiki.php/Main/HeelFaceTurnThese on the other hand tend to be better developed? Sometimes. Love seeing former (or current!) antagonists take the focus. Mark in the Vorkosigan Saga is great. Magus in Chrono Trigger is one of the formative examples in video games. Ugh, why is coming up with examples on the spot so hard?
4 - And for the reverse, any egregiously bad examples of either of those you want to call out as being such?
Most of them.
5 - Another favorite of mine is the Five Man Band. Familiar with it? (before my link here, anyway)
Link:
http://tvtropes.org/pmwiki/pmwiki.php/Main/FiveManBandI may have spent some time reading TVTropes on occasion. It might have been a lot of time. Possibly. So, yes.
5b - Do you have a favorite example of one? Or a role within it you tend to like characters of the most?
Ender's crew in Ender's Game, highlighting how the group is manipulated together. I'm not a big fan of the trope generally, so seeing it intentionally created is interesting.
6 - On the subject of favorite tropes, do you have any you tend to like seeing?
A Large Ham is always fun! Grey and Grey Morality, eudaimonic future societies (can't recall offhand what TVTropes calls them), ummm... The Dev Team/Writers Think of Everything, Xanatos Gambits that aren't too farfetched, stuff like that. Examinations of mental illness and alienation from society that aren't tokenized or easily resolved. Probably many more that don't come to mind immediately.
7 - Any that just irritate you on principle?
Leaned-on role dynamics like Five Man Band tend to strike me as lazy excuses to not characterize, if not outright dehumanizing. Probably many more that don't come to mind immediately.
General Creativity Section8 - Do you do any writing or creating of your own? Even if it's stuff you don't let people really see is fine. (I'd consider something like GMing for roleplaying games to count)
Eyep. Don't put as much of it to text as I should, but it's constantly happening.
9 - What genres do you enjoy the most, both as a creator(if you are one) and consumer of media? These can end up as very different things!
Speculative and "hard" science fiction/fantasy, horror, noir, some mystery, things that are heavy on atmosphere and characterization. I enjoy consuming character comedy, but creating it completely eludes me.
10 - Any genres you actively avoid? Again, both as a creator(if you are one) and consumer?
Modern realist drama and slice of life can largely get stuffed, though there are exceptions. Romance (as in chick-flick social drama romance, not female-targeted pornography called "romance novels.")