Baccano: Yeah, finished this. Very stylish and enjoyable piece of fluff. If there's a problem with it, it's that there are too many characters running around for all of them to get appreciable levels of development. The show's penchant for snappy dialogue ensures that most characters do at least leave some impression, but they just tried to cover too many subplots for everyone to benefit from this (the Gandor brothers are particularly blank). Probably a symptom of trying to cover everything in the source material and not having time for it. OVA episodes honestly didn't help much here, sadly. Still, any show that produces the likes of Isaac and Miria is alright by me. It's good fun.
Gunslinger Girl: Oh hey, they made another season of this while I wasn't paying attention. Sneaky. It's pretty much more of the same, but this is not a bad thing. I'm still rather astonished that such a show could exist, much less be produced by Japan, and not be a total disaster. They took a completely ludicrous concept (cyborg loli assassins working for the Italian government) and made it work by being totally serious about everything. Someone clearly sat down and went about very methodically determining the precise nature of the clusterfuck the base concept would produce, and I appreciate seeing that kind of effort. It helps that they apparently forgot that they were Japanese and decided not to fetishize the characters in any way. (I think I can say with confidence that the producers are more turned on by firearms than by other human beings.)
The only real downside of season two is the critical lack of Delgados music. Not that the replacement opener is bad as J-pop goes, but...well, it's not this:
http://www.youtube.com/watch?v=BTxkOM7PMRE (Season two, for comparison:
http://www.youtube.com/watch?v=S3_xJ7NE-A0)